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The gardens of Versailles

History is not decoration

Who guides you in Paris, and why we do it.

Why we guide

We live in a time when the past is increasingly contested. Narratives are simplified, civilizations reduced to slogans, facts bent to serve an argument.

Ancient Egypt, Mesopotamia, Renaissance Italy, revolutionary France are not decorative heritage. They are the tools through which human societies have understood themselves, and through which we can understand the present.

Learning how to read the artifacts our ancestors left us, and understanding them, is today a form of resistance. Against manipulation, against received ideas, against the comfort of easy answers. It is also something we can give children early: not a collection of dates, but a habit of asking why.

That is why we became guides.

The Seated Scribe, an Egyptian statue in the Louvre
The Seated Scribe, Egypt, Old Kingdom · The Louvre

Where to look

Where to look

Texte à valider

Guiding, for us, begins with showing you where to look. Take one painting, Delacroix’s Liberty Leading the People, back on its wall in the Louvre since its restoration in 2024. Everyone knows it from a distance. Up close, it holds a few surprises.

  1. Liberty Leading the People, back on its wall in the Louvre after the restoration

    What is missing

    Start with the colors. Delacroix left green, orange and violet off his palette and built the whole scene in a range of grays, so that three colors stand out above the smoke: the blue, white and red of the flag.

  2. Liberty's dress, before the restoration (left) and after (right)

    Her dress

    Under the yellowed varnish, Liberty’s dress looked plain yellow. Cleaned, it shows how Delacroix painted it: gray first, then golden yellow laid on in varying densities. The gradient sets her apart from everyone else in the scene, almost divine.

  3. Detail of a fallen man, with blood now visible in his ear

    The fallen man

    Look down at the man lying in the foreground. A thin line of blood runs from his ear. It was always there, but no one could see it before the restoration.

  4. One last thing

    At the very bottom left lies a worn leather shoe that nobody had noticed: the varnish had blended it into the paving stones. We will look for it together. The full story, in our Journal

Every tour works this way, and every tour is private: a family with a ten-year-old and a retired historian will not stop in front of the same details.

“How he knows as much as he does is a mystery to me, but it was enough to keep both me and my 12 year old son riveted for 3 hours.”

Andy, Sydney, January 2025

Who guides you

Simon, founder of Pépin Paris, in the Louvre
Simon Guide-conférencier, founder of Pépin Paris In the Louvre, beside Géricault’s Raft of the Medusa, in the room where Liberty hangs

Simon, guide-conférencier

My background is a little unusual for a guide: an engineering degree, then a Master’s in Cultural and Scientific Communication, before I obtained the carte professionnelle nationale de guide-conférencier in 2023. That mix shapes how I build a tour: rigorous about facts, attentive to how ideas land.

I see guiding as a form of teaching. Showing someone where to look when their eyes don't know where to go. A few hours in front of the right work can change the way you see a place, a culture, and people. That conviction is at the heart of every tour we give.

Texte à valider (cartel et carte pro)

About the card. It is the state license required to guide inside France’s national museums and monuments, issued after a Master’s degree, a further year of specialized training and national examinations. Every Pépin guide holds one.

In the press Le Monde, Libération (1, 2), France Inter, L'Essentiel (1, 2, 3), Paris Un Deux Trois Quatre

What stays

What we hope, after a few hours with a Pépin guide, is that something stays: a question, an image, a connection you did not expect. A seed that might grow long after the visit is over. And that one day, in the most unexpected place, something will take you back to that conversation you had in Paris.

SimonFounder of Pépin Paris

pépin/pe.pɛ̃/French for a seed, the pip of a fruit. Hence our name.

Guests, afterwards

“We still talk about all the things you showed us.”
Tina L., February 2025
“We still talk about what I call ‘our magical morning at the Louvre with Simon.’”
K & E, in a message

Read every review →

Plan your visit

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Private · Guided

Paris · Île-de-France

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